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R. STEVIE MOORE - Phonography LP (colour vinyl)

Sundazed

R. STEVIE MOORE - Phonography LP (colour vinyl)

$41.95

Limited edition blue vinyl.

Highly recommended.

One of the most unique albums of the 70s, R. Stevie Moore's debut (1976) is an uncategorizable mess that somehow keeps from falling apart completely, like a one-man band White Album cross-pollinated with late-60s Zappa at his most antic.

Yet just as the album seems hopelessly self-indulgent and bizarre, Moore suddenly veers into some of the sweetest and catchiest pop songs of the pre-punk '70s. That dichotomy is what makes Phonography special.

Recorded in bits and pieces over the course of two years of living room sessions, with Moore playing and singing every part, barring the tambourine on the Soft Machine-like opening instrumental "Melbourne," the album shares much with such one-man band predecessors as McCartney, Rundgren's Something/Anything?, and Roy Wood's Boulders.

However, having been made on a cheap four-track with one microphone, a borrowed guitar, and no mixing deck, Phonography also has a funky lo-fi charm that anticipates post-grunge D.I.Y. savants like Guided By Voices and Pavement. (Also, the wordless vocals and skittering analogue synths in the middle section of the lovely closing track, "Moons," sound uncannily like Stereolab would over 15 years later.)

The album is split down the middle between quirky but capable pop songs and strange interludes. Of the former, "Goodbye Piano," a falsetto music hall ditty that suggests a major Bonzo Dog Band fixation, is among Moore's most famous tracks, but it's the more serious tunes, like the beautiful Brian Wilson-inspired ballad "I've Begun to Fall in Love," the bouncily Beatlesque "I Want You In My Life" and the trippy "Showing Shadows," that show the artist's estimable skills as a songsmith. Spoken word interludes are uniformly surreal, with the Harold Pinter-like talk show parody "The Lariat Wressed Posing Hour" a highlight, but the album is organized to such an off-the-wall blueprint that it's impossible to imagine it without even its most inexplicable elements.


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